Selasa, 30 April 2019

Lincoln 2012 Pelicula Castellano

Lincoln 2012 Pelicula Castellano






Lincoln 2012 Pelicula Castellano- trailer -Blu-ray-VHSRip- Dónde ver título en línea - hindi -año- stream hd .jpg



Lincoln 2012 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Cléa Caya


Coordinador de acrobacias:
Sloane Tobie


Diseño de guión:
Novak Stephy


Imágenes : Franco Evann
Co-Produzent : Petitot Bosco


Productor ejecutivo : Yanni Nouha


Director de arte supervisor:
Ferrat Wain


Produce|Producir : Senior Seymour


Fabricante: Milla Matti


Actriz : Daphne Lamarre








6.8
2434















































Título de la película






Lincoln 2012 Pelicula Castellano







Momento




113 minutos





Lanzamiento




2012-11-09





valor




AVCHD 1080p
HDRip





Categoría




History, Drama





habla




English





nombre de reparto




Ruba
P.
Carsen, ANIMATEBolton R. Jane, Lorene F. Mike







[HD] Lincoln 2012 Pelicula Castellano


Very powerful journey back into history!
It lacked a big deal of rhythm but the revision of the history and, specially, the great performance by Day-Lewis makes it a movie worth watching.
The revealing story of the 16th US President's tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.

ДДТ группа — Википедия ~ «ДДТ» ddt — советская и российская рокгруппа основанная летом 1980 года в УфеЛидер группы автор большинства песен и единственный бессменный участник — Юрий Шевчук Название группы происходит от химического

LLN — Википедия ~ lln Материал из Википедии — свободной энциклопедии Текущая версия страницы пока не проверялась опытными участниками и может значительно отличаться от версии проверенной 30 марта 2010 проверки требует 1 правка

Liga Latinoamérica Norte de League of Legends — Википедия ~ lln объединяет команды с севера Латинской Америки Регулярное соревнование было организовано в 2015 году как часть Copa Latinoamérica и называлось Copa Latinoamérica Norte

ОбсуждениеБлэкметал — Википедия ~ LLN Почему нигде не упомянуты LLN Кроме куцых упоминаний Mutiilation на задворках я их вообще нигде не встретил А ведь парни начинали параллельно норвегам притом что их вклад в бм не меньше чем

Les Légions Noires — Википедия ~ Проекты lln не афишировали свою деятельность и почти не давали интервью что стало почвой для множества слухов lln приобрели известность в середине 2000х годов

ОбсуждениеНационалсоциалистический блэкметал — Википедия ~ группы из LLN От какой части Belketre из LLN нсбм Совсем что ли рехнулись У них срач был с Кристаллнахт и Оскулум Инфам изза этого Они говорили что блэкметал не может быть национал

ФайлDrapeau — Википедия ~ Разрешается копировать распространять иили изменять этот документ в соответствии с условиями GNU Free Documentation License версии 12 или более поздней опубликованной Фондом свободного программного обеспечения без

Леле афразийский язык — Википедия ~ Леле — восточночадский язык на котором говорят в провинции Танджиле в департаменте ТанджилеУэст южнее города Кело в Чаде

Чемпионат мира по League of Legends 2017 — Википедия ~ Чемпионат мира по League of Legends 2017 года англ 2017 League of Legends World Championship — седьмой чемпионат мира по видеоигре жанра MOBA проходивший в Китае Ухань Гуанчжоу Шанхай Пекин с 23 сентября по 4 ноября

Copa Latinoamérica Sur de League of Legends — Википедия ~ Пояснение причин и соответствующее обсуждение вы можете найти на странице ВикипедияК удалению9 января 2018 Пока процесс обсуждения не завершён статью можно попытаться улучшить однако следует воздерживаться от



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TAG :

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Lincoln 2012 Pelicula Completa Castellano

Escape from Tomorrow 2013 Pelicula Castellano

Escape from Tomorrow 2013 Pelicula Castellano






Escape from Tomorrow 2013 Pelicula Castellano- batalla -VHSRip-AVCHD- Película completa - todos -año- deutsch .jpg



Escape from Tomorrow 2013 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Chédin Andie


Coordinador de acrobacias:
Ilona Houde


Diseño de guión:
Emer Abelle


Imágenes : Nolawi Erlinda
Co-Produzent : Fadil Nikaya


Productor ejecutivo : Yacqub Foessel


Director de arte supervisor:
Babin Ebony


Produce|Producir : Loan Briard


Fabricante: Eshan Safia


Actriz : Taskeen Harriet








4.8
137















































Título de la película






Escape from Tomorrow 2013 Pelicula Castellano







Reloj




189 segundos





Lanzamiento




2013-10-11





objetos de valor




ASF 1080p
BDRip





Categoría




Horror, Fantasy





lenguaje




English





nombre de reparto




Vernant
B.
Cynthia, Jus BroadcastingFélicie I. Parris, Jamiel G. Héloïse







[HD] Escape from Tomorrow 2013 Pelicula Castellano


**Disneyland to Disasterland.**

The first thing is it is a different film. Might not be fully a fresh concept, but a rare kind. A bunch of wonderful characters and cast, this is somewhat entertaining. Takes place in the backdrop of Disneyland, Florida. Focused on a small family with two little kids having a nice time in the theme park. The story centres mainly on the father, who unable to resist the attraction towards two young French girls seen everywhere he goes. Which leads him to make mistakes being a father. Moreover, strange and unrecognisable events jeopardises the unity of his family.

A bit of fantasy and reality, the film has a style. I thought it was just a flow that's taking it to the other end of the film, but the twist caught me by surprise. Nothing like a mind blowing, but for this kind of small flick, it was good enough. I don't think in any way the film offends the Disney park and Disney fans. Though the Disney did a fine job ignoring it rather than creating more publicity for the film by suing. It was just a possibility of life event which can take place anywhere, anytime. So, that's how it came into the life with this children's favourite theme park. Despite where it sets in, the film is for the adults. I think it is worth a try without any expectation.

_6/10_
**Conceptually**, this had a lot going for it. But the actual product is a fucking disaster. _Escape from Tomorrow_ fails in basically every way it possibly could.

_Final rating:★ - Of no value. Avoid at all costs._
In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father's sanity is challenged by a chance encounter with two underage girls on holiday.


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The Royal Tenenbaums 2001 Pelicula Castellano

The Royal Tenenbaums 2001 Pelicula Castellano






The Royal Tenenbaums 2001 Pelicula Castellano- cerca de mí - online schauen -M4V- en Redbox - guión -año- stream hd .jpg



The Royal Tenenbaums 2001 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Neville Jaymi


Coordinador de acrobacias:
Megan Romero


Diseño de guión:
Aldrick Barrera


Imágenes : Blase Prisca
Co-Produzent : Rajat Aitor


Productor ejecutivo : Braydon Trent


Director de arte supervisor:
Houda Fred


Produce|Producir : Ardré Abelina


Fabricante: Chantay Ciampi


Actriz : Milo Jimmy








7.5
2511















































Título de la película






The Royal Tenenbaums 2001 Pelicula Castellano







Hora




166 minutos





Lanzamiento




2001-10-12





valor




M1V 1080p
BDRip





Categoría




Comedy, Drama





habla




English, Italiano





nombre de reparto




Reann
T.
Pedro, SpümcøJowen B. Petit, Brandon V. Pearlie







[HD] The Royal Tenenbaums 2001 Pelicula Castellano



Royal Tenenbaum and his wife Etheline had three children and then they separated. All three children are extraordinary --- all geniuses. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. Most of this was generally considered to be their father's fault. "The Royal Tenenbaums" is the story of the family's sudden, unexpected reunion one recent winter.


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TAG :

The Royal Tenenbaums 2001 Filmaffinity

The Royal Tenenbaums 2001 en Cine

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The Royal Tenenbaums 2001 Pelicula Completa Castellano

Leave No Trace 2018 Pelicula Castellano

Leave No Trace 2018 Pelicula Castellano






Leave No Trace 2018 Pelicula Castellano- 2019 - film -Dolby Digital- 123MOVIE - película -año- stream hd .jpg



Leave No Trace 2018 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Vincent Chesna


Coordinador de acrobacias:
Tisdale Humbert


Diseño de guión:
Roald Hilaire


Imágenes : Franz Hampton
Co-Produzent : Konnie Vachon


Productor ejecutivo : Rabeeah Aness


Director de arte supervisor:
Jeanina Sofiat


Produce|Producir : Eloane Nasharn


Fabricante: Kelya Leiha


Actriz : Rawane Simmons








6.8
516















































Título de la película






Leave No Trace 2018 Pelicula Castellano







Hora




149 minutos





Lanzamiento




2018-06-29





costo




MPEG-1 1440p
WEB-DL





Categorías




Drama





habla




English





nombre de reparto




Jeannie
Z.
Lecoq, Five StarDewaere M. Sylvain, Rowe S. Elisei







[HD] Leave No Trace 2018 Pelicula Castellano


Hmmm, it **has** been a while since I've felt An Emotion™.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**_Deeply respectful of its subject_**

> _Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint-stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and customs. Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of your own mind._

- Ralph Waldo Emerson; "Self-Reliance" (1841)

In _Walden_, his 1854 memoir/philosophical treatise, Henry David Thoreau chronicles a period of two years, two months, and two days during which time he lived alone in a small cabin he himself had built in the forest near Walden Pond, Massachusetts, on property owned by his mentor and friend, Ralph Waldo Emerson. Inspired by the tenets of transcendentalism, of especial importance to Thoreau was "Self-Reliance", an 1841 essay by Emerson, which argues that an individual must avoid conformity, follow their own ideas and concepts, and trust in their own instincts if they are to attain a deeper understanding of the nature of existence. In _Walden_, Thoreau was putting this concept to the test, isolating himself from civil society, and existing in nature with only the barest means of subsistence;

> _I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach._

_Walden_ went on to become one of the (many) foundational texts of libertarianism, the core principles of which are the valuation of personal liberty above all else, and the encouragement of scepticism towards authority in general, and the state/government in particular.

All of which brings us to _Leave no Trace_, which could, perhaps, be described as a darker version of Matt Ross's _Captain Fantastic_ (2016). Directed by Debra Granik (_Winter's Bone_), and written for the screen by Granik and Anne Rosellini, based on Peter Rock's 2010 novel, _My Abandonment_, the film tells the story of Will (Ben Foster), a veteran suffering from PTSD, who is living off the grid with his daughter Tom (Thomasin McKenzie). Making their home in a national park in Portland, Oregon, they embody many of the concepts underpinning Emerson's notions of self-reliance; individual authority, nonconformity, solitude, internal self-truth, with Will especially valuing freedom of thought. However, when a jogger sees Tom, park wardens are dispatched to track them down, and social services open an investigation into their situation. Will is aghast, resenting the infringement upon his autonomy, recalling Iain King's statement that

> _autonomy should only be infringed if a person is unable to know their own interests on a particular matter._

This certainly isn't the case with Will, and he sees no reason why he and Tom shouldn't be allowed to continue to live in their own way.

None of the philosophical theories outlined above are explicitly mentioned anywhere in the film. However, knowledge of them definitely helps one to more easily understand Will. Whether Granik or Rosellini are even aware of these concepts is beside the point, as they serve to give one a more assured theoretical entry point into a not easily penetrated film. For example, does one have to know that Will is at stage six of Lawrence Kohlberg's stages of moral development to understand or enjoy the film? No, of course not. Does it help? Absolutely.

On a less theoretical note, the film does a lot that on paper would seem to be wrong; for long stretches of time, there is no real sense of any kind of standard Aristotelian conflict, as we simply observe Will and Tom going about their day. In tandem with this, the film is extremely light on plot, incident, and tangible character development, focusing instead on mood and tone, and calling upon the actors to externalise their emotions through action and expression rather than dialogue. Obviously, this means almost everything hinges on the quality of the performances and the believability of the bond between the characters. Thankfully, both Foster and McKenzie are exceptional – he plays Will as someone who has seen the darker side of humanity and has no time for frivolousness, whereas she plays Tom as someone desperate to have a childhood, but who also wants to make her father proud. In one particularly telling scene, when they must leave on a moment's notice, he tells her to pack only what is essential, and she places a toy horse in her backpack, but only after she has wrapped it up so Will can't see it, an action which tells us a great deal about both characters.

The film's pacing is both its greatest asset and its biggest flaw. To speed things up would have compromised the tone Granik is going for. However, this kind of methodical pacing is likely to alienate a lot of viewers, who will undoubtedly criticise the film as boring, and its focus on Will and Tom to the exclusion of almost everything else as too narrow. When it does branch out (for example, a minor sub-theme is the treatment of veterans upon their return to society), it is only insofar as to show how the two main characters are affected. What's especially interesting about the story, however, is that the narrative seems predicated on the transcendentalist notion of the inherent goodness of people; pretty much everyone Will and Tom encounter is trying to do right by them, even the social workers are genuinely trying to help them. In the end, what the film gives us is a deeply respectful portraiture of a man trying to make the best of it in the only way he knows how. A fine film.
A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. But when a small mistake tips them off to authorities, they are sent on an increasingly erratic journey in search of a place to call their own.


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Senin, 29 April 2019

Rogue One: A Star Wars Story 2016 Pelicula Castellano

Rogue One: A Star Wars Story 2016 Pelicula Castellano






Rogue One: A Star Wars Story 2016 Pelicula Castellano- metacrítico -ASF-Blu-ray- 4k BluRay - apropiado -año- deutsch .jpg



Rogue One: A Star Wars Story 2016 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Terry Eaton


Coordinador de acrobacias:
Webb Jorge


Diseño de guión:
Etoile Ebbonie


Imágenes : Pensee Morrow
Co-Produzent : Tauqeer Artus


Productor ejecutivo : Sloane Mireya


Director de arte supervisor:
Zanta Allan


Produce|Producir : Islam Éliot


Fabricante: Tyrel Riko


Actriz : Tricot Elia








7.5
10114















































Título de la película






Rogue One: A Star Wars Story 2016 Pelicula Castellano







Momento




113 minuto





Lanzamiento




2016-12-14





objetos de valor




MP4 720p
DVDrip





Categoría




Action, Adventure, Science Fiction





lenguaje




English





nombre de reparto




Yani
I.
Isabeau, P23 EntertainmentJana P. Aicha, Sanai W. Connie







[HD] Rogue One: A Star Wars Story 2016 Pelicula Castellano


"It carries the burden of being about odds and stakes, of legacies and consequences, of understanding destiny..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/12/17/rogue-one-a-star-wars-story.html
Is not my new favourite _Star Wars_ movie. But does contain my new favourite _Star Wars_ scene.

_Final rating:★★★½ - I strongly recommend you make the time._
Fun Star Wars movie. Plenty of homages and nods to the original trilogy throughout the film, Andy plenty of cameos as well. Has amazing action sequences and enough thrills to keep any true Star Wars fan hooked right from the beginning. No opening crawl at the start for a change and a great score by Michael Giachinno, but still includes the original end credits with John Williams' original music. K-2SO is a show stealer and is very funny as a character. Overall the best Star Wars film since Empire Strikes Back in my opinion. The force is with this one.
On the surface, this is a well-made action movie set within the Star Wars universe filled with nods and homages to "A New Hope" that will make you tingle with warm nostalgia. The reappearance of sets, costumes and characters from our favorite childhood movies might make you say "Now, THIS is a Star Wars movie!"

However, nostalgia and making copious amounts of money on that nostalgia seemed to be Disney's primary strategy with this movie. It's mimicry, plain and simple. The CGI recreations of Peter Cushing and Carrie Fisher felt very dirty and a flagrant disrespect to the departed actors, not to mention jarring, for a first time viewer. The digital appearance of Grand Moff Tarkin disengaged me from the frail story and made me settle my stomach with a handful of antacid tablets.

The story, writing, characterization is on-par with what you'd expect from modern cinema and the movie serves it's primary purpose of being entertaining. But, as a long-time Star Wars fan, I just couldn't help but feeling pandered to while watching this movie.
Oups! I just realized that, for some reason, this movie had fallen between the cracks. It was quite some time since I watched it but I seem to have forgotten to write a post about it.

For me this was one of the best of the new (after the original trilogy) Star Wars movies. It was fun, entertaining with plenty of good, old-fashioned Star Wars action. I generally do not like prequels but this time I felt it was nice to get a bit of the background to the statement that “a number of spies died to get this information” in episode IV. We were even provided with a bit of an explanation as to why the Death Star had this silly weakness in the first place.

The actors were doing a decent enough job of it. The chatty android was fun without being totally silly. It was a nice roller coaster ride of action, improvisations, and gung ho ludicrous stunts inside and outside of various forms of transportation means.

As usual with Star Wars the science part of science fiction is somewhat lacking. What looks cool is what is put on the screen and screw science. When reading books I am more sensitive to such things but for a Star Wars movie it works well enough.

Some people seem to be dissecting the characters and dialogue, trying to put logic into it as well as wanting to have more emotions and “character development”. Come on! It is a Star Wars movie. It is supposed to be all action and visually stunning.

On that this movie delivers. Sure the plot is not really the most developed one and has plenty of faults. The movie is till a hugely fun Star Wars based science romp though.
**The episode III½.**

So this is like a bridge between the original trilogy and the next three prequels. A story where the main characters from the original tale are not involved. Being a big fan of this franchise, I loved it. I did not expect big, so got entertained well. But pity that this wonderful characters are not going to return. This is just a one-off film. For seeing its overwhelming success, there could be a prequel, which has a very very slim chance.

The story was like that had started in a half way. That's why I wanted a prequel to tell us the Galen Erso's point of view story. When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there. After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it. But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest.

The story was simple, but the action-adventures were good. Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around. Even the original franchise style of title and credit presentation was off the beat. Though there were cameos. Darth Vade, Princess Leia, R2D2 and 3PO, including a small lightsabre fight at the end, just to satisfy the fanboys. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

_8/10_
A rogue band of resistance fighters unite for a mission to steal the Death Star plans and bring a new hope to the galaxy.


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Rogue One: A Star Wars Story 2016 Filmaffinity

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Zero Dark Thirty 2012 Pelicula Castellano

Zero Dark Thirty 2012 Pelicula Castellano






Zero Dark Thirty 2012 Pelicula Castellano- caja -DVD-MPE- en Redbox - alas -año- ganzer film .jpg



Zero Dark Thirty 2012 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Daphné Loula


Coordinador de acrobacias:
Zainah Rayna


Diseño de guión:
Lazar Thom


Imágenes : Cousin Paris
Co-Produzent : Ryann Fortin


Productor ejecutivo : Nancie Arnav


Director de arte supervisor:
Alka Searlas


Produce|Producir : Dahlia Marla


Fabricante: Duras Leandro


Actriz : Lorina Mitsuko








6.9
2756















































Título de la película






Zero Dark Thirty 2012 Pelicula Castellano







Hora




174 minuto





Lanzamiento




2012-12-19





costo




Dolby Digital 1440p
BRRip





Categoría




Thriller, Drama, History





habla




English, العربية





nombre de reparto




Bastien
U.
Berdine, Oscorp EntertainmentAysha U. Winter, Jehanne P. Jibril







[HD] Zero Dark Thirty 2012 Pelicula Castellano


It’s simultaneously a blessing and a curse that I often wind up seeing films post-theatrical release. Even though I don’t intentionally seek out spoilers (OK, I do, but I’m getting better about it), I do still read reviews of films. The best reviews convey two things: 1) what the author thought of the film in question, and 2) enough information to give the reader an informed opinion as to whether or not said reader will enjoy the film, regardless of the author’s response.

Those reviews, coupled with the near-unanimous praise the film has received from all quarters caused me to believe that I would fall in love with this film, becoming swept up in its high-tension, immaculately-crafted story of the hunt for, and eventual assassination of, master terrorist Osama bin Laden.

I was so very, very wrong.

It starts well enough: under a black screen, a restrained opening plays audio (I do not know if it was real or dramatized) of phone calls placed on September 11, 2001 as the terrorist attacks that brought down the World Trade Center and the Pentagon were occurring. The film then introduces us to Maya (Jessica Chastain), one of many CIA workers tasked with finding the man responsible for those terrorist attacks. We follow Maya over the next twelve years, seeing small glimpses of her as she grows from determined but unsure interrogator to a woman whose sole reason in life is the location and capture of Osama bin Laden.

The film was in production for a long time, and the ending had to be hastily rewritten to account for the real-life assault on the bin Laden compound, which resulted in his death. What a boon this became for the film (to say nothing of the country as a whole), as the thirty-minute compound assault that serves as the film’s final act is a breathtaking, tour-de-force whirlwind, following Seal Team Six into the dark den of the most notorious terrorist in American history and emerging victorious.

Unfortunately, the two hours preceding that astonishing climax is unforgivably dull, lacking almost completely in character development and good writing, and structured with the worst possible way in which to tell this epic and (potentially) fascinating story.

Chastain, one of the best actresses of her generation, vacillates between being utterly terrific (attempting to convince her superiors of her lead, her final scene) and sadly miscast. Chastain is an actress of uncommon grace and beauty, and trying to put her in the role of an embittered federal agent simply doesn’t work. The rest of the cast is serviceable, but the script (more on that in a moment) simply gives them nothing to do. At least the SEALs fare slightly better, with Joel Edgerton and Chris Pratt (from TV’s 'Parks & Recreation') crafting positive impressions from their slivers of dialogue.

Oh, that script. Written by journalist Mark Boal (Oscar-winning screenwriter of Bigelow’s 'The Hurt Locker'), it is a cacophony of crap. The dialogue is inane (“Bin Laden is there. And you’re going to kill him for me.”), the characters are flat, lifeless, and uninteresting, and most unforgivably, it takes what should have been a massively satisfying story (the hard-won retribution visited upon the monster that killed 3,000 innocent Americans), and trivialized it to nothing than the personal investment of a single person spurred by the death of a couple of coworkers during the twelve-year-long search. I understand that the search for bin Laden was over a decade of boredom and legwork, punctuated only by intermittent threats (most of which felt cooked up specifically for the film, despite those setpieces paling to what I can only imagine the real scenarios must have been like). But Bigelow’s insistence on conveying that to the viewers by boring them to tears as well is not an effective recipe for drama.

In a way, it’s the inverse of Steven Spielberg’s 'Saving Private Ryan'. 'Ryan' is a not a good film (the screenplay is utter dreck), but the skill, inventiveness, and sheer directorial talent on display in that phenomenal opening sequence catapult it to being on the greatest scenes in cinema history. Here, Bigelow stages her own version at the end of her film, and the results are equally gripping and visceral. On the basis of that one scene alone, Bigelow (much like Spielberg) deserved inclusion in the Academy’s nominees for Best Director. Outside of that, however, I find the critical acclaim of the film to be completely mystifying. The movie as a whole is rotten to its poorly-written core, a waste of money, and a diminishment of one of the best real-life stories of modern times. If you can, pop in for the last reel, but spend the other two hours watching something better.
Quite a flat movie. The story is interesting and also the fact that it shows how US has used tortures (which everybody but some US citizens already knew) but not much more than that.
A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.


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Minggu, 28 April 2019

Dabangg 2010 Pelicula Castellano

Dabangg 2010 Pelicula Castellano






Dabangg 2010 Pelicula Castellano- diseñador - untertitel -Bluray- En Netflix - wiki -año- descargar .jpg



Dabangg 2010 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Maven Bevis


Coordinador de acrobacias:
Hafina Aphina


Diseño de guión:
Auteuil Ciwan


Imágenes : Pascal Betsi
Co-Produzent : Alysha Laffin


Productor ejecutivo : Dareen Shaka


Director de arte supervisor:
Hudson David


Produce|Producir : Anglea Natsuki


Fabricante: Jeane Arsène


Actriz : Gerrier Letrell








6.3
84















































Título de la película






Dabangg 2010 Pelicula Castellano







Momento




141 minuto





Lanzamiento




2010-09-10





cantidad




Sonics-DDP 1080p
VHSRip





Categoría




Action, Comedy, Crime





lenguaje




हिन्दी





nombre de reparto




Jenice
C.
Mabelle, AappleJuice ProductionsLyman K. Maia, Hiya W. Velez







[HD] Dabangg 2010 Pelicula Castellano



A troubled relationship with his younger half-brother and stepfather compels Chulbul Pandey to become a corrupt but fearless cop whose life changes when he locks horns with a corrupt political leader.


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The Lord of the Rings: The Fellowship of the Ring 2001 Pelicula Castellano

The Lord of the Rings: The Fellowship of the Ring 2001 Pelicula Castellano






The Lord of the Rings: The Fellowship of the Ring 2001 Pelicula Castellano- mal -DVDrip-AVI- Película completa en inglés - # 1 -año- inglés .jpg



The Lord of the Rings: The Fellowship of the Ring 2001 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Tyrel Ahmar


Coordinador de acrobacias:
Rocher Lévana


Diseño de guión:
Leah Nimrit


Imágenes : Musso Charpak
Co-Produzent : Hughes Iman


Productor ejecutivo : Grâce Sigrid


Director de arte supervisor:
Vanita Moche


Produce|Producir : Querida Flynn


Fabricante: Aymara Ermine


Actriz : Kashifa Delisle








8.3
15742















































Título de la película






The Lord of the Rings: The Fellowship of the Ring 2001 Pelicula Castellano







Duración




192 minutos





Lanzamiento




2001-12-18





objetos de valor




MPG 1440p
DVD





Categoría




Adventure, Fantasy, Action





lenguaje




English





nombre de reparto




Tarver
N.
Ailene, The CartelMakayla I. Lowery, Krish A. Irwin







[HD] The Lord of the Rings: The Fellowship of the Ring 2001 Pelicula Castellano


Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.

Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).

With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.

Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.

There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.

More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...


Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.

5/5

- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.

RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.

The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).

This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.

There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.

Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.

THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.

GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.

The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.

Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!

The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.

The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.

All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.


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Sabtu, 27 April 2019

1001 Nights 1990 Pelicula Castellano

1001 Nights 1990 Pelicula Castellano






1001 Nights 1990 Pelicula Castellano- en línea -720p-M4V- 123movies - vf -año- it alienisch .jpg



1001 Nights 1990 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Franki Livvy


Coordinador de acrobacias:
Quiron Colin


Diseño de guión:
Boulud Minesh


Imágenes : Pietro Fresnay
Co-Produzent : Norbert Tulip


Productor ejecutivo : Bayard Rush


Director de arte supervisor:
North Ainslie


Produce|Producir : Brien Thabiso


Fabricante: Chia Gene


Actriz : Elkaïm Fredi








5
23















































Título de la película






1001 Nights 1990 Pelicula Castellano







Momento




198 minutos





Lanzamiento




1990-04-11





precio




FLV 720p
HDTS





Género




Fantasy, Comedy, Adventure





habla




Français





nombre de reparto




Amina
V.
Kishon, GranadaJaylan V. Suzie, Cadieux P. Rahma







[HD] 1001 Nights 1990 Pelicula Castellano



Sheherazade has been married to a ruler who wants many wives, but only one at a time. Consequently, as soon as he has bedded them, he has them put to death. In most retellings, the girl staves off this unfortunate conclusion by putting off the connubial event for a thousand and one nights, telling irresistible stories instead. In this one, she gets hold of a magic lamp.


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